The Gourds are a good-time, honky tonkin' band with enough quirk and underground appeal to more than earn the "alternative" in "alternative country-rock band." Part of Austin's vibrant scene and popular performers at the city's national music showcase SXSW, the Gourds first gained the attention of the No Depression crowd with the drunken porch jam sound of their debut, Dem's Good Beeble (1997). The band's quirks came out more on their follow-up, Stadium Blitzer (1998), with songs of questionable subject matter (not offensive, just truly befuddling) like the title track and "Plaid Coat" and the goofiness of "I Ate the Haggis." Later that year, the Gourds broke through to college radio with a couple of covers on the live EP Gogitchershinebox. While their cover of "Ziggy Stardust" may have raised some eyebrows, it was the Gourds' galloping twang remake of Snoop Dogg's "Gin and Juice" that really captured listeners' imaginations. Unfortunately, the demise of Watermelon Records took their recordings out of print right after the release of their third album, Ghosts of Hallelujah in 1999. Happily, Sugar Hill Records stepped in, and without missing a beat, the Gourds' fourth album, Bolsa de Agua, came out the following year. Over the next year, Sugar Hill also reissued the rest of the Gourds' catalog. The Texas group started out with multi-instrumentalist/vocalists Kevin Russell and Jimmy Smith, who also share songwriting duties, accordionist Claude Bernard, and drummer Charlie Llewellin. In late 1997/early 1998, Llewellin was replaced by a longtime friend of the band, Keith Langford, who was kicked out of the Damnations TX when his bandmates saw that he wanted to join the Gourds, but might feel too bad about quitting to actually leave them. Then, after playing banjo, fiddle, and more on Ghosts of Hallelujah, Max Johnston (of Uncle Tupelo and Wilco) also became an official member of the band. With the new lineup intact, the Gourds released Bolsa de Agua in the summer of 2000, Cow Fish Fowl or Pig in 2002, Blood of the Ram in 2004, Heavy Ornamentals in 2006, and Noble Creatures in 2007. They also provided the score to the Mike Woolf documentary Growin' a Beard.