65daysofstatic的音樂(lè)被看作是新一代post rock的典范,甚至有人說(shuō)他們是Mogwai和Aphex Twin的混合體.65daysofstatic非常擅長(zhǎng)以一種邏輯,程式化以及數(shù)學(xué)概念的方式來(lái)編輯那些令歌迷無(wú)法喘息的厚重吉他音墻,高壓下的電子碎拍加上采樣所營(yíng)造出的蒼白冰冷機(jī)械化的冰冷世界.最令人刺激的是,在這種充充斥著絕望的氛圍中,突兀呈現(xiàn)的他們簡(jiǎn)直就是原始動(dòng)物,帶來(lái)的是最純粹的直覺(jué)與感觸.同時(shí),后搖一貫反差極大的旋律線,緩慢于狂暴之間,以最情緒化的狂野拉扯彼此,恐怖的是這種試圖令人眩暈,持槍瘋狂掃射的高壓姿態(tài),簡(jiǎn)直有如以幾何倍數(shù)增長(zhǎng)的細(xì)菌病毒傳染開(kāi)來(lái),讓每一個(gè)聽(tīng)到他們音樂(lè)的人燃燒起來(lái). Focusing on instrumental post-rock with live and electronic percussion, 65daysofstatic is based in Sheffield, England. The band, whose name originates from an unreleased John Carpenter film, formed in 2001 as a trio (Joe Shrewsbury, Paul Wolinski, and Iain Armstrong). Armstrong left in May 2003 and by the end of the year Rob Jones (drums) and Gareth Hughes (bass) were added. The band released three albums: The Fall of Math (2004), One Time for All Time (2005), and The Destruction of Small Ideas (2007). As of spring 2007, the lineup included Shrewsbury (guitar), Wolinski (guitar, programming), Jones (drums), and Simon Wright (bass, programming).