by Heather Phares The Dirty Projectors are the project of Dave Longstreth, a former Yale student who left college to become one of the most prolific and unique indie singer/songwriters of the early 2000s. In early 2002 Longstreth released his first album, The Graceful Fallen Mango, under his own name on the This Heart Plays Records imprint. Largely recorded on four-track with the help of friends in likeminded projects such as Wolf Colonel and Dear Nora, the album introduced Longstreth's distinctive, crooning voice and equally unique approach to arrangements and both lo-fi and hi-fi production. As he continued to record, Longstreth played shows with other contemporaries like the Microphones, Bobby Birdman, and [[[[VVRSSNN]]]] (aka Yume Bitsu's Adam Forkner). Forkner helped record his next album, The Glad Fact, which was the first to bear the Dirty Projectors name and arrived on Western Vinyl in fall 2003. This was followed quickly by Morning Better Last!, an album culled from three triple albums he recorded in 2001 and 2002; it was an Internet-only release on States Rights. Slaves' Graves and Ballads, which Longstreth described as "a song-journey for me singing with a ten-piece chamber group called the Orchestral Society for the Preservation of the Orchestra," arrived in early 2004 as a split release on Western Vinyl and Happy Happy Birthday to Me Records. Later that year, the orchestrally enhanced Slaves' Graves & Ballads arrived.